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Minggu, 18 April 2010

[V294.Ebook] Get Free Ebook New Directions in Digital Poetry (International Texts in Critical Media Aesthetics), by C.T. Funkhouser

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As poets continue to use digital media technology, functionalities of computing extend aesthetic possibilities in documents focusing attention on crafting verbal content. Utility of these machines and tools enables multiple types of compounded articulation (combinations of verbal, visual, animated, and interactive elements). Building larger public awareness of the mechanics of digital poetry, New Directions in Digital Poetry aspires to influence the formation of writing with media in literary society of the future, specifically as a record of a particular technological era.
Emerging from these studies is that digital poetry as a WWW-based, networked form happens 'in stages', 'on stages'. Few works require singular responses from viewers ― both composition of works and viewing them are processes involving multiple steps and visual scenarios. For anyone interested in the interplay of poetry and technology, this book provides an informed look at digital poetry in its contemporary state. In the process of performing "close readings," Funkhouser makes suggestions and provides methods for viewing works, for audiences perhaps unfamiliar with mechanical and semiotic conventions being used.

Sales Rank: #2127413 in Books
Published on: 2012-01-19
Released on: 2012-01-19
Original language: English
Number of items: 1
Dimensions: 8.51" h x .79" w x 5.48" l, 1.05 pounds
Binding: Paperback
344 pages

Review
“Through a combination of technical and literary analysis, C.T. Funkhouser's close readings of electronic literature contain an original contribution to the canon of digital literary studies. His analysis of the signifying strategies and reading possibilities of programmed works is carefully nuanced and deeply attentive to their intermedia textualities and procedural dynamics, and reflects his long involvement in the field as artist, critic, and historian. His book is a timely addition to a growing body of close readings of digital literature.” ―Manuel Portela, Digital Humanities Quarterly

About the Author
C.T. Funkhouser is an Associate Professor at New Jersey Institute of Technology. He is the author of Prehistoric Digital Poetry: An Archaeology of Forms, 1959-1995.

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1 of 1 people found the following review helpful.
Fascinating case studies in digital poetry
By Eric Goddard-Scovel
I am a poet who has worked with text generating programs (mchain, Gnoetry 2.0, etc.) for years, but this book opened my eyes to a much broader and more exciting field of digital poetry styles and approaches than I had been aware of, from video games to complex, interactive web maps. I still work mostly in print media, so I had not taken much notice of the many fascinating and rich digital poems which had been published online over the past 20 years. This book gives a broad overview of what digital poetry is, and then it provides a couple dozen case studies, or close readings, to aid in appreciating and understanding each work as a work of digital poetry and new media art.

A great book for those new to digital poetry or who are interested in teaching digital poetry in the classroom.

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Senin, 12 April 2010

[I606.Ebook] Download PDF Major Works (Oxford World's Classics), by John Clare

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After years of indifference and neglect, John Clare (1793-1864) is now recognized as one of the greatest English Romantic poets. Clare was an impoverished agricultural laborer, whose genius was generally not appreciated by his contemporaries, and his later mental instability further contributed to his loss of critical esteem. But the extraordinary range of his poetical gifts has restored him to the company of contemporaries like Lord Byron, John Keats, and Percy Bysshe Shelley.

This authoritative edition brings together a generous selection of Clare's poetry and prose, including autobiographical writings and letters and illustrates all aspects of his talent. It contains poems from all stages of his career, including love poetry and bird and nature poems. Written in his native Northamptonshire, Clare's work provides a fascinating reflection of rural society, often underscored by his own sense of isolation and despair. Clare's writings are presented with the minimum of editorial interference, and with a new introduction by the poet and scholar Tom Paulin.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Sales Rank: #323377 in Books
Published on: 2008-09-01
Original language: English
Number of items: 1
Dimensions: 4.90" h x 1.50" w x 7.70" l, 1.00 pounds
Binding: Paperback
576 pages

About the Author
Eric Robinson, former Professor of History, University of Massachusetts, Boston. David Powell, retired Senior Librarian , Nene College, Northampton.

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18 of 18 people found the following review helpful.
Good collection, but missing what I needed
By jessbcuz
Overall I would say this is an excellent collection of Clare's work. I especially appreciated the prose section at the back. My main criticism is that it includes some excerpts of his longer poems, but does not have them in full. For my own purposes, I wish they would have included the full text of The Village Minstrel as they are using more of a manuscript version and the only printed version of this poem available is the 1821 edition with the editor's sometimes radical changes. However, I recognize my own needs as rather narrow and can appreciate the wide and rich variety included in this edition.

I have only recently "discovered" Clare, and this is surprising to me given all the reading in this time period I have done. He has been taken up by the Eco-critics and new work is being done on him, but somehow he still moves just underneath the radar of "the canon." I would recommend him highly to anyone looking to feel out some other poets in this era besides the usual suspects (Keats, Byron, Shelley, Wordsworth, etc.). He is worth the time and can provide an interesting contrast to them.

13 of 15 people found the following review helpful.
A Real World & Doubting Mind
By tepi
John Clare Major Works. Edited by Eric Robinson and David Powell. Oxford World's Classics, 2008. Paperback 531 pages. ISBN-10: 0199549796

It's more than sad that John Clare (1793-1864), a major poet of towering genius, should have been so unfairly marginalized by society that he never succeeded in being accepted into the canon of English literature. Any reader of English poetry knows of Byron, Shelley, and Keats; glance in any anthology and you will find them represented by large chunks of their work. But although Clare was their contemporary and his work is certainly as great if not greater than theirs, it can take a long time to discover him and, as the sprinkling of reviews here attests, few bother to read him.

It's true that Clare was born into the lowest and most oppressed class of all and that, as a peasant and agricultural laborer, he remained (at least in the formal sense) uneducated, never did learn how to spell or punctuate, and was so poor that there were times when he couldn't afford to buy paper or even ink. It's also true that, after suffering a nervous breakdown, he was certified as insane and spent the last twenty-two years of his life in a lunatic asylum.

But despite this it has to be said that the man was a veritable fountain of the most sublime poetry, and some of his finest work was actually written during his asylum years. Clare's exquisite sensitivity to the world around him was so acute, and his love of that world was so great, a superabundance of marvelous lines embodying his perceptions and feelings constantly flowed from him and at his death, besides many thousands of pages of a prose which is often every bit as interesting as his poetry, he left over 3500 poems less than one tenth of which saw print during his lifetime as he never did achieve the kind of success he both deserved and longed for.

His complete poems were not even published until the 20th Century when they appeared in the extremely expensive and now virtually unobtainable 9-volume Oxford English Texts edition of 1989-1996; sadly, no reader's edition of this scholarly magnum opus has appeared and most of his prose still remains in manuscript.

The present 531-page 'Major Works', edited by Eric Robinson, is the fullest and finest selection of Clare's work to have appeared. This gives us, besides over 400 pages of poetry and 60 pages of prose, an Introduction, Chronology, Notes, Further Reading, Glossary, and Index. It is an edition that all lovers of Clare must be grateful for and is well-printed (though in a rather small typeface) on a somewhat soft poor quality paper (which does not take kindly to readers who like to scribble notes) and is bound in a thermoplastic binding with sturdy paper wrappers which feature a highly appropriate color illustration.

This illustration, a detail from 'Harvesters Resting' by Peter de Wint (1784-1849), depicts a group of peasant harvesters at rest from their labors in the field and serves wonderfully to lead us directly into Clare's world, a real world of real things and of real people with no pretensions to superiority, the kind of people who knew the meaning of real work and who weren't afraid of getting their hands dirty.

As a peasant, Clare may be said to depict in his works not the somewhat artificial and attenuated world of the upper classes but a far more vigorous and earthy world, a world bursting with life and teeming with an abundance of forms. Nothing is too mean for him to notice, nothing is beneath his gaze: men and women of all sorts and conditions and their joys, sufferings, and hardships; animals, birds, fish, frogs, bees, flies, beetles, spiders, ants, trees, flowers, fields, rivers, streams, storms, floods - all of these and more are set before us in the most powerful and moving verses.

As an example of how powerful his work can be readers should look up his poem "The Flood" (pp.193-4), a poem which is readily available on the internet. Daniel Myers tells us that ""The Flood" is an account of an actual flood witnessed by Clare, but also an account of the flood roiling within him, a presentiment of [the madness] he knew was to engulf him."

This is an interesting reading I would agree with. I would add, however, that although the flood may symbolize Clare's approaching madness, we needn't restrict ourselves to this single meaning. It seems to me that the flood water as it crashes against the stone bridge also symbolizes the growing anger and frustration and despair of Clare himself, as representative of the vigorous life of the peasantry, crashing in futility against the cold, hard, stony and unyielding mass of the privileged upper class of exploiters whose enclosures were dismantling the world he loved and that was so much a part of him.

In his very first poem, "Helpstone", Clare wrote:

"Accursed wealth, o'er bounding human laws
Of every evil thou remainst the cause...
Thou art the bar that keeps from being fed
And thine our loss of labor and of bread..." (p.4)

Lao Tzu said of the Tao, the universal law that is in harmony with human nature:

"If kings and barons can abide by it,
All creatures will arrive as guests to a banquet." *

Nature is Abundance; it spreads out before us a banquet to which all, whether human or non-human, are invited. Clare's outrage that the common people have been shut out from this banquet of Nature's abundance by the greed of their social superiors, along with the many other stresses in his life such as poverty, ill health, difficulties with publishers, etc., are reasons enough, one would think, to eventually drive someone as sensitive as him into madness.

"The Flood" closes with the somber lines:

"- On roars the flood - all restless to be free
Like trouble wandering to eternity." (p.194)

For a while, as a 'peasant poet' and therefore something of an interesting oddity, Clare had been lionized by the smart set. But as time went by their interest fell off. The world was changing and the public's taste for poetry was drying up as novel-reading became more popular. If he had been born in the heyday of poetry twenty years earlier he might have succeeded in getting more of his work published and carving out a niche for himself in the canon, but it was not to be.

To fully appreciate his poetry one needs to know something of his life and he himself in his 'Autobiographical Fragments' has provided the best account. An excellent edition of these fragments, along with much other biographical material, will be found in John Clare - By Himself (Fyfield Books) This is a thoroughly enjoyable and truly fascinating book and is written in an incredible prose that reminds one at times of Joyce's "Ulysses". After learning something about the life and character of the man who wrote "The Flood", I feel sure that the poem will bring tears to the eyes of at least some readers when they return to it.

*(see The Tao Te Ching: A New Translation With Commentary 32.1)

12 of 14 people found the following review helpful.
A Reading Of "The Flood"
By Daniel Myers
[[VIDEOID:33362741]]Clare, who spent the last 22 years of his life in a madhouse (where he also wrote his best poetry) is a difficult poet to review, still more difficult to read aloud. He deep, inner numinous connexion with the natural, as conveyed throughout this excellent Oxford edition of his works, reminds one of nothing so much as Van Gogh's letters to brother Theo - and also his truly tortured sense of loneness and alienation from mankind.

Reading one of his powerful, majestically tortured madhouse poems would be akin to attempting to paint like Van Gogh at his best. It's just not on unless one is either a madman or a genius, titles to which I'm unable to lay claim.

"The Flood" is an account of a an actual flood witnessed by Clare, but also an account of the flood roiling within him, a presentiment of what he knew was to engulf him. I have chanced a reading of it, as it seemed the most powerful poem within my grasp to capture in the reciting it the shatttered poet's perturbed sensibility and bewildered state of mind.

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In the decade of the Beatles and the moon landing, cybernetics and megacities, an ambitious group of young British architects burst on the scene with a bold manifesto for urban building. The Archigram group pioneered a playful brand of architecture that was visionary, utopian, and grounded in social need. Through a provocative series of publications and exhibitions, the avant-garde cooperative challenged an architectural establishment they felt had become reactionary and self-serving. They advocated a complete rethinking of the relationships between technology, society, and architecture, rightly predicting today's information revolution decades before it came to pass. A Guide to Archigram 1961-74 is a compact history showcasing the group's most interesting and influential schemes, from walking cities and plug-in universities to inflatable dwellings and free time nodes. This book, the most comprehensive guide to Archigram's voluminous output, collects the critical responses of the period, in addition to hundreds of drawings and photographs.

Sales Rank: #1082329 in Books
Brand: Crompton, Dennis (EDT)
Published on: 2012-10-24
Original language: English
Number of items: 1
Dimensions: 5.75" h x 1.50" w x 5.00" l, 1.10 pounds
Binding: Paperback
448 pages

Features

Used Book in Good Condition

Review
"Flipping through the Guide nearly 40 years since Warren Chalk, Peter Cook, Dennis Crompton, David Greene, Ron Herron, and Michael Webb ceased the Archigram experiment, it's easy to see why their individual and group contributions have been so influential in recent years. Archigram's projects may not have gone beyond "paper architecture" (oh, but what great drawings they are!), but their promotion of true freedom and embrace of technological change make their work hard to resist all these decades later." -- Archidose.org

About the Author
Dennis Crompton was a founding member of the Archigram Group and established the Archigram Archives in 1975 when Archigram ceased to practice. He was responsible, with Ron Herron, for the assembly and design of the major exhibition, Archigram: Experimental Architecture 1961-74. Crompton frequently lectures at schools of architecture, urbanism, and design in the United States and Europe.

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Minggu, 11 April 2010

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Published on: 1600
Binding: Paperback

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Sabtu, 27 Maret 2010

[V297.Ebook] Download Ebook Overreach: Delusions of Regime Change in Iraq, by Michael MacDonald

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In the run-up to the 2003 invasion of Iraq, a fair number of Americans thought the idea was crazy. Now everyone, except a few die-hards, thinks it was. So what was going through the minds of the talented and experienced men and women who planned and initiated the war? What were their assumptions? Overreach aims to recover those presuppositions.

Michael MacDonald examines the standard hypotheses for the decision to attack, showing them to be either wrong or of secondary importance: the personality of President George W. Bush, including his relationship with his father; Republican electoral considerations; the oil lobby; the Israeli lobby. He also undermines the argument that the war failed because of the Bush administration’s incompetence.

The more fundamental reasons for the Iraq War and its failure, MacDonald argues, are located in basic axioms of American foreign policy, which equate America’s ideals with its interests (distorting both in the process) and project those ideals as universally applicable. Believing that democratic principles would bring order to Iraq naturally and spontaneously, regardless of the region’s history and culture or what Iraqis themselves wanted, neoconservative thinkers, with support from many on the left, advocated breaking the back of state power under Saddam Hussein. They maintained that by bringing about radical regime change, the United States was promoting liberalism, capitalism, and democracy in Iraq. But what it did instead was unleash chaos.

Sales Rank: #1121247 in Books
Published on: 2014-10-01
Original language: English
Number of items: 1
Dimensions: 8.50" h x 6.00" w x 1.25" l, .0 pounds
Binding: Hardcover
336 pages

Review
In Overreach, MacDonald methodically dissects the top ten reasons most often used to explain why the war was a failure, and in the process shows each to be self-serving, inadequate, misleading―or all of the above. He does the same for explanations of why we went to war in the first place. (Scott Beauchamp Bookforum 2014-09-01)

MacDonald demonstrates vigorously and with intellectual clarity why the tenets of American exceptionalism do not usually translate to other areas of the world, with Iraq being just one example. A useful analysis of failed American military initiatives that could inform future debates about interventions in traditionally despotic nations that are also split among historically hostile religious factions. (Kirkus Reviews 2014-08-15)

With gloomily apt timing, as U.S. bombs drop once again on a now deeply fractured Iraq, international relations specialist MacDonald analyzes the usual explanations for why the Bush administration launched its invasion of Iraq in 2003 and finds them lacking. MacDonald argues that, beyond oil, the Israeli lobby, or Bush family history, the Iraq War and its horrific outcomes owe their existence to a more general trait in U.S. foreign policy, namely, a tendency to equate the country’s values with its interests. (Publishers Weekly 2014-09-08)

Overreach is essential reading for anyone who wants to understand how and why the project of ‘regime change’ in Iraq not only failed, but was incoherent from the outset. With his characteristic political acumen, meticulous research practices, and marvelously lucid prose, MacDonald reveals the tragic political (not cultural!) blindness suffered by American architects of that project. This is a gripping, sad, and immensely important story. (Wendy Brown, University of California, Berkeley)

It is easy to forget how many supported the Iraq War in 2002 and 2003. For anyone who wants to remember what happened―and what went wrong―this is an absorbing read. We misunderstood Iraq and the war, MacDonald shows, because we misunderstood ourselves―profoundly and tragically. (Russell Muirhead, Dartmouth College)

Excellent…MacDonald is profoundly and chillingly right in his diagnosis of the mentality that ultimately set this disastrous chain of events in motion. (James B. Rule Dissent 2015-05-06)

About the Author
Michael MacDonald is Frederick L. Schuman Professor of International Relations at Williams College.

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10 of 11 people found the following review helpful.
I also came across this excellent book on foreign policy
By WillyBill
I also came across this excellent book on foreign policy: Michael MacDonald, Overreach: Delusions of Regime Change in Iraq (Harvard, 2014). It is very analytical, about as far from an airport book or twitter as you can imagine, but as good on American Enlightenment delusions as anything I have read. It argues that (for the most part) foreign policy realists and foreign policy idealists opposed the 2nd Gulf War, and he doesn’t spend much time on them. He concentrates on elites, mainly Liberal Hawks, Neoconservatives, and Neoliberals. One depressing conclusion that his analysis leads to is that it would do no good for the elites to read this book because the nature of age-old American values and ideals has shaped an American world view that says American ideas and values (which are God-given and self-evident, according to Jefferson) coincide with American power and are universal, so that attacks on Iraq (or Syria and Iran) are good for the world and for the Iraqis, Syrians, Iranians. It might take a few more wars, the elites believe, but someday the world will be just like us.

1 of 1 people found the following review helpful.
Excellent, thoughtful and well written
By Elija Andjelich
Excellent, thoughtful and well written. Of the many books I've read in the Iraq war and Middle East, one of the best.

0 of 3 people found the following review helpful.
Five Stars
By Robert S. Ball
As advertised and fast shipping.

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Minggu, 14 Maret 2010

[J964.Ebook] Ebook Free One Pot: 120+ Easy Meals from Your Skillet, Slow Cooker, Stockpot, and More, by Editors of Martha Stewart Living

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NEW YORK TIMES BESTSELLER

Using just one pan, you can stew, steam, saut�, simmer, braise, or roast your way to a fuss-free meal—and minimal cleanup to boot.
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At the end of a busy day, you want to serve a delicious home-cooked dinner, a complete, all-in-one meal that can be prepared with little effort and few pans to wash. The editors of Martha Stewart Living present a brand-new collection of 120 recipes—organized by vessel—to help you do just that, all while adding savory new dishes to your weekly rotation.
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One Pot is an exciting new way to approach everyday cooking: Imagine perfect pasta dishes for which everything goes in the pot at once (yes, that’s pasta, tomato, garlic, basil, and water all cooked together), dinner-party ready roasts with tender vegetables, and down-home casseroles, along with wholesome fish, chicken, and vegetarian dishes. You’ll get incredible flavor payoff from dishes such as comforting Chicken and Dumplings, easy Baked Risotto with Carrots and Squash, healthy Broiled Striped Bass with Tomatoes, hearty Pork Chops with Bacon and Cabbage, and the delectable Skillet Chocolate-Chip Cookie—each of which takes less than an hour from start to finish. Here, too, are a dozen outstanding recipes for surprising and simple desserts that can be ready when you are.
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With chapters devoted to your essential cooking vessels—stockpot, skillet, slow cooker, and more—this book is sure to streamline your meals and to satisfy the people you share them with. Recipes include:
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DUTCH OVEN: Beef Stew with Noodles, Chicken and Dumplings, Baked Risotto, Texas Red Chili, Cajun Stew
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SLOW COOKER: Pulled Pork, Corned Beef and Cabbage, Classic Pot Roast, Lamb Shanks and Potatoes, Garlic Chicken with Barley
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SKILLET & SAUT� PAN: Spinach Pie, Poached Cod with Tomatoes, Three-Cheese Lasagna, Macaroni and Cheese, Stir-Fried Chicken with Bok Choy
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ROASTING PAN & BAKING DISH: Rib-Eye with Root Vegetables, Roast Chicken with Herb Butter, Salmon with Kale, Roast Beef with Acorn Squash, Tuscan Pork Roast
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PRESSURE COOKER: Short Ribs with Potato-Carrot Mash, Kale and White Bean Soup, Chicken Cacciatore; Easy Chickpea Curry, Beef Stroganoff
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STOCKPOT: Classic Chicken Soup, Split Pea Soup, Gemelli with Pesto and Potatoes, Corn and Shrimp Chowder, Pasta with Farm-Stand Vegetables
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DESSERTS: Peach Crumble, Skillet Chocolate-Chip Cookie, Baked Blackberry Custard, Raspberry Sorbet, Molten Chocolate Cupcakes

Sales Rank: #11742 in Books
Brand: Martha Stewart
Published on: 2014-09-23
Released on: 2014-09-23
Original language: English
Number of items: 1
Dimensions: 9.11" h x .91" w x 7.44" l, .81 pounds
Binding: Paperback
256 pages

Amazon.com Review
Featured Recipes from One Pot Download the recipe for Chicken with Creamy Corn and Bacon Download the recipe for Linguine with Tomato and Basil

About the Author
For more than twenty years, the food editors and chefs in the kitchens of MARTHA STEWART LIVING have been producing bestselling cookbooks, including Martha Stewart’s Cakes, Meatless, Martha Stewart’s New Pies and Tarts, and Power Foods.
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MARTHA STEWART is America’s most trusted lifestyle expert and teacher and the author of more than eighty books on cooking, entertaining, crafts, homekeeping, gardens, weddings, and decorating.

Most helpful customer reviews

199 of 210 people found the following review helpful.
Lifelong fan of the the One pot!
By Jess Hayes
I have to admit that I am a little obsessed with all the various one pot styles of cooking. Starting probably way (way!) back in college, when I literally had only one pot to cook in, I made an infinite varieties of what came to be known as "stoop" (ie not quite stew, not quite soup). Now, thankfully, while I can afford more than one pot to cook in, I still am partial to only using one for a meal. Maybe it is the comfort of all that goodness cooking together, or maybe I am just too lazy to do a lot of cleaning up after dinner. Either way, needless to say, I have a lot of practice in this cooking method.

I will start off by saying that One Pot: 120+ Easy Meals is a worthwhile addition to my somewhat overburdened and sagging cookbook shelf. While my all time favorite I think will continue to be my handful of tagine recipes given to me decades ago by a family friend, or the timeless and always wonderful The Clay Pot Cookbook, One Pot gives some really nice approaches in a variety of styles that are accessible to almost any level of expertise in the kitchen.

Since being given One Pot, I have worked my way through several dozen of the recipes (did I mention I really like one pot recipes? lol). Most were just about dead-on as recipes go. The Kale and Tuscan Bean Soup was a particular favorite for my husband, who is not usually one for either anything Tuscan nor bean- (he has had an anti-Tuscan bias since I made him watch The English Patient, and the bean problem, well, you know..) The Mac and cheese varieties (yes, tried all of them!), were of course universally loved by my grandson and his friends, and the adults did not exactly shy away from it either. I was a little less crazy about the Beef Stroganoff, but it was a reasonable foundation that I felt just required some doctoring from the spice cabinet.

Your taste of course will vary from mine in assessing individual recipes, but as always you will need to adjust spices and flavors to suit your own preferences.

All in all, One Pot is a very good introduction to the art of one pot cooking (and thus one-pot clean up!). If you have not worked with a pressure cooker before, here is a nice opportunity to try one out (buy a newer model, they are so much more safe than the old ones we used to use!). Likewise having a good roasting pan will make your efforts so much more pleasant for entertaining or just filling your house with wonderful aromas and good healthy foods.

I have probably rambled long enough about this now. I have a new Korean stone bowl that just arrived, and I have a date with some hot pot recipes!

136 of 144 people found the following review helpful.
A cookbook you'll use day after day!
By P. Greer
Let me begin this review by saying that I have four recipes from One Pot: Salmon with Kale and Cabbage, Baked Rice with Sausage and Broccoli Rabe, Pork Chops with Cabbage and Bacon, and Sausage with Acorn Squash and Onions. They have all been very good, the pork chop recipe was incredible.

One Pot is divided into 7 sections: Dutch Oven, Skillet and Saute Pan, Slow Cooker, Roasting Pan and Baking Dish, Pressure Cooker, Stockpot and Saucepan, and Desserts. I like this method of organization because I frequently choose or look for recipes based on the technique or equipment that I am wanting to use. Each section opens with a small introduction to the equipment used. For example in the Dutch Oven Section, it goes into materials used in their construction and ideal size.

I have marked practically the entire book to try, but here a three from each section to give an idea of the scope of the recipes (plus they are all recipes that sound good to me!)

Dutch Oven: Chicken and Dumplings, Carnitas Tacos, and Pork Stew with Potatoes and Rosemary.

Skillet and Saute Pan: Shrimp with Tomatoes and Orzo, Mushroom Cheddar Frittata, and Skillet Macaroni with Bacon and Gouda.

Slow Cooker: Garlic Chicken with Barley, Pot Roast with Sweet Potato and Prunes, and Spiced Chicken Stew with Carrots.

Roasting Pan and Baking Dish: Spatchcocked Chicken with Herbs and Lemon, Spiced Cod with Couscous, and Mexican Style Lasagna.

Pressure cooker: Beef Barley and Vegetable Stew, Risotto with Mushrooms and Thyme, and Irish Beef Stew with Stout.

Stockpot and Saucepan: Warm Quinoa and Chicken Salad, Sweet Potato and Sausage Soup, and Pasta with Farm-Stand Vegetables.

Desserts: Rustic Apple Tart, No-Churn Coffee Chocolate-Chip Ice Cream, and Fruit Skillet Cake.

This is a cookbook that anyone can use day after day. These are simple, easy meals. Easy enough for weeknights, but filled with enough flavor for the weekends! I have over 200 cookbooks and this will definitely be at the top as one of my most used.

64 of 69 people found the following review helpful.
Everything One Pot
By Deborah
This book was so much more than I expected. As the mother of 3 young children, I'm always looking for ways to simplify dinner time, because it's the most hectic time of day. I thought this cookbook would be perfect, as I love stovetop meals that only take one pot, making clean up SO much faster and easier. What I wasn't expecting was a whole variety of recipes - not just stovetop meals. The book includes slow cooker meals, pressure cooker meals, Dutch oven, roasting, etc. It really is a great guide to all things one pot!

The photos are beautiful, in true Martha Stewart fashion. And there is a photo of every recipe, which is always a plus for a cookbook. If I could choose one criticism, it would only be that some of the recipes are too sophisticated for some people in my family. But I made the Skillet Turkey Pie and we all loved it. I think this book will be a welcome addition to my library.

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