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Plautus's broad humor, shown in some of the earliest surviving Latin plays, reflects Roman manners and contemporary life. This briliant collection includes:�The Pot of Gold�(Aulularia), The Prisoners�(Captivi), The Brothers Menaechmus�(Menaechmi), The Swaggering Soldier�(Miles Gloriosus), and Pseudolus.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700�titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the�series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date�translations by award-winning translators.
- Sales Rank: #394778 in Books
- Published on: 1965-09-30
- Released on: 1965-09-30
- Ingredients: Example Ingredients
- Original language: Latin
- Number of items: 1
- Dimensions: 7.80" h x .63" w x 5.12" l, .55 pounds
- Binding: Paperback
- 272 pages
About the Author
Titus Maccius Plautus was born in Sarsina, Umbria, in about 254 BC, and was originally named, after his father, Titus. Little is known of his life, but it is believed that he went to Rome when young and worked as a stage assistant. His potential as an actor was discovered and he acquired two other names: Maccius, derived perhaps from the name of a clown in popular farce, and Plautus, a cognomen meaning ‘flat-footed’. Somehow Plautus saved enough capital to go into business as a merchant shipper, but this venture collapsed, and he worked (says the tradition) as a miller’s laborer, and in his spare time studied Greek drama. From the age of forty onwards he achieved increasing success as an adaptor of Greek comedies for the Roman stage. Much of his work seems to be original, however, and not mere translation. He was rewarded by being granted Roman citizenship. According to Cicero he died in 184 BC.
E.F. Watling was educated at Christ's Hospital and University College, Oxford. His translations of Greek and Roman plays for the Penguin Classics include the seven plays of Sophocles, nine plays of Plautus, and a selection of the tragedies of Seneca.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
A+++thanks
15 of 15 people found the following review helpful.
A History Lesson in Funny
By ninjasuperstar
Plautus is an important Roman comedian, because he preserves Greek works (The Swaggering Soldier is a re-telling of a lost Greek play, Alazon, or The Braggart), and he shows us some of the similarities between ancient Greek and Roman senses of humor, which are not far from contemporary Western senses of humor. Plautus also influenced other great playwrights. For example, The Brothers Menaechmus is generally considered a simpler template for Shakespeare's richer The Comedy of Errors.
In this selection, one will encounter some of Western society's earliest slapstick comedies and humorous, moral critiques of undesirable human behaviors. Plautus' penchant for wordplay is also showcased in this text. Plautus' plays are very easy and quick to read, and this 1965 translation definitely has a modern sensibility to it. For example, you will find that Plautus' characters like to cuss a lot, generally at the expense of women.
I recommend this book to readers of ancient Rome and readers interested in the history of the stage.
7 of 7 people found the following review helpful.
Slice-of-life ancient history
By physics student
I agree with another reviewer that this collection of plays makes a good history lesson, but for me the lesson went beyond the development of people's sense of humor over time. Plautus avoids philosophy and politics, skipping right to slice-of-life stories about ordinary people, stories that today would be considered situation comedies. (Several of the plays in this book were amalgamated into the modern-day musical "A Funny Thing Happened on the Way to the Forum.") Reading this book gave me a sense of what life on the streets of ancient Rome was like.
A final comment about whether Plautus should be considered Greek or Roman. Plautus wrote in Rome more than 200 years after the classical Greek playrights Aeschylus, Euripides and Aristophanes and more than 100 years after the "new comedy" of the Greek Menander. He borrowed Greek plots and set his own plays in Greece, but I regard this as a convention (much as 20th century playwrights habitually set theirs in New York City) and to me the attitudes of Plautus' characters seem Roman more than Greek.
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