Rabu, 29 Juni 2011

[K368.Ebook] PDF Download After the First Death, by Robert Cormier

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After the First Death, by Robert Cormier

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After the First Death, by Robert Cormier

Sixteen-year-old Miro had instructions to kill the bus driver immediately.
 
They would then take the busload of children to the bridge and begin the standoff. Artkin was Miro’s mentor; the mastermind behind this act of terrorism that would get the world’s attention. 
But Artkin had told Miro that the bus driver would be an old man.
 
Sixteen-year old Kate sometimes substituted for her uncle and drove his bus when he was ill. She even got a special license to do so, and she’d always liked kids. She wondered what was going on when the van in front of her stopped, but when the man and the boy with guns forced their way onto the bus, she knew her worst nightmare was beginning.

  • Sales Rank: #596590 in eBooks
  • Published on: 2013-03-19
  • Released on: 2013-03-19
  • Format: Kindle eBook

From the Publisher
Who will be the next to die?

They've taken the children. And the son of a general. But that isn't enough.

More horrors must come...

From the Inside Flap
Who will be the next to die?



They've taken the children. And the son of a general. But that isn't enough.



More horrors must come...

Excerpt. © Reprinted by permission. All rights reserved.
I keep thinking that I have a tunnel in my chest. The path the bullet took, burrowing through the flesh and sinew and whatever muscle the bullet encountered (I am not the macho-muscled type, not at five eleven and one hundred eighteen pounds). Anyway, the bullet went through my chest and out again. The wound has healed and there is no pain. The two ends of the tunnel are closed although there's a puckering of the skin at both ends of the tunnel. And a faint redness. The puckering has a distinct design, like the old vaccination scar on my father's arm. Years from now, the wound will probably hurt the way my father's old wounds hurt him, the wounds he received in those World War Two battles. My mother always jokes about the wounds: oh, not the wounds themselves but the fact that he professes to forecast weather by the phantom pains and throbbings in his arms and legs.

Will my wound ache like his when I am his age?

And will I be able to tell when the rain will fall by the pain whistling through the tunnel in my chest?

I am joking, of course, but my joking is entirely different from my mother's tender jokes.

I am joking because I won't have stayed around become a human barometer or an instrument capable of forecasting weather.

But - who's the joke on?

The first of many questions about my presence here.

Keep a scorecard handy.

My father is scheduled to visit me today.

His first visit since the Bus and the Bridge last summer.

I am typing this in the room at Castle and it's beautiful here as I write this. Through the window, I can see the quadrangle and the guys indulging in a snowball fight. The first snowfall of the season. The snow is late this year. Christmas is only two weeks away. Thanksgiving was dry and cold with a pale sun in the sky but no wind. Perfect for a football game, the traditional game between Castle and Rushing Academy. Castle won, 21 to 6, and there was a big celebration on campus. Elliot Martingale brought these fireworks back from summer vacation; they were left over from July 4th at his family's place on Cape Cod, and he said they would be touched off when we won the big game on Thanksgiving Day. We won, he set them off. Beautiful. That's when I went to the john, swallowed fourteen sleeping pills, lay down on the bed listening to the cherry bombs explode and then a cluster of firecrackers going off like a miniature machine gun; and it was nice lying there, drifting away, and then I thought of the kids on the bus, strewn around like broken toys while the guns went off, and I started getting sick and rushed off to the bathroom to vomit.

Please do not consider these the notes of a self-pitying freak who needs the services of a psychiatrist.

I am not filled with pity for myself. And I'm not writing this to cop a plea of some kind.

I do not consider this a suicide note either.

Or even a prelude to one.

When the time comes to perform the act, I will do it without any prelude or prologue, and may simply walk up River Road one afternoon, arrive at Brimmler's Bridge, calmly climb the parapet or whatever it's called, and let myself plummet to the riverbed below.

I have deduced, reflecting on the Bus, that this would be the best way to shuffle off this mortal coil. Poetic justice, you see. Perhaps that's what I should have done when I was sent out to the Bus. The Bus was also on a bridge. That's when I should have taken the plunge, the dive, or the leap. The Bridge on which the Bus was perched is even higher than Brimmler's Bridge. Just think how I would have saved the day - and myself - that way.

And my father most of all.

But how many times is a person allowed to die?

Anyway, my parents are scheduled to arrive here late this morning.

Eleven o'clock to be exact.

My father's first visit since the Bus and the Bridge, but I already said that, didn't I?

My mother has been faithful about visiting. My mother is kind and witty and stylish. She is the essence of the loving wife and mother. She has such amazing strength, an inner strength that has nothing to do with the flexing of muscles. I always sensed it, even as a kid. My father has strength, too. But he has always been too shadowy to pin down. The nature of his profession, I realize now. His is the kind of profession that not only disguises the man but consumes him as well. And his family, too. Even my mother, with all her strength.

When she visited me the first time in September only a few days after my arrival, she played it cool and calm, and this is just what I needed

"Do you want to talk about it, Mark?" she asked.

My name is Ben, my father's name is Mark. If it had been anyone but her, I would have called it a Freudian slip. But she is too uncomplicated for that kind of thing.

I wondered how much she knew about what happened on the bridge. "I'd rather not talk about it," I said. "Not just yet."

"Fine," she said, matter-of-factly, settling down for the visit, arranging her dress over her knees. She has beautiful legs and she is utterly feminine. She never wears slacks or pants suits, always skirts or dresses, even when she does housecleaning. She asked me about school and the classes and the guys, and I told her, talking mechanically, as if my mouth had nothing to with the rest of my body. I told her about Mr. Chatham, who is my math teacher and might have taught my father a generation ago. This is one of the benefits of attending your father's alma mater, my mother said, when she drove me up here last fall. She said I would be able to gather new insights on my father. I didn't tell her that Mr. Chatham is practically senile, the butt of a thousand boyish and not-so-boyish pranks and jokes, and that he didn't remember my father at all. I had suggested the possibility to him. "My name is Ben Marchand," I'd told him, "and my father came to Castle back before World War Two - do you remember him?"

"Of course, dear boy," he said, "of course."

But I did not believe him. His eyes were glazed and vacant, his hand shook, and he always seems about to leap out of harm's way. Which is reflex action. Guys like Elliot Martingale and Biff Donateli rejoice in making old Catham's last days lively. We keep him on his toes, keep him sharp, keep him from dropping into complete senility, Elliot says. How can a man drop out when he thinks a cherry bomb's going to go off in his pants any minute?

Anyway, I started to lie to my mother about Mr. Chatham and his nonexistent memories of my father. "He remember Dad as a good student," I said. "Serious. Never fooled around much in class. A shy, sensitive lad: those were his exact words." I tried to imitate Mr. Chatham's rusty old voice: "A little too thin for his height, lad, but you could see he would fill out someday and be an outstanding man."

I could see immediately that she didn't believe me. She has many admirable qualities but she would never succeed as an actress.  The disbelief was apparent in her eyes and in the expression on her face.

"Isn't Dad sensitive and wasn't he a good student?" I asked. "He must have been. He's a general now, isn't he?"

"You know your father doesn't like to be called a general," she said.

"True," I said, and felt myself drifting away from her, something I have been doing recently, drifting away while standing still, letting myself go as if the world is a huge blotter and I am being absorbed by it. "But he is a general, isn't he?" I asked, persisting, suddenly not wanting to drift away, not at this particular moment, wanting to make a point. What point?

And then my mother's strength asserted itself. "Ben," she said, her voice like the snapping of a tree branch. It reminded me of old movies on television where someone is screaming hysterically but I must admit that I was hysterical all right. You can be hysterical without screaming or ranting and raving, or hitting your head against a wall. You can be quietly hysterical sitting in a dorm talking to your mother, watching the September sun climbing the wall like a ladder as it filters in through a sagging shutter. And the slap doesn't have to be a physical act; it can be one word, Ben, your own name lashing out. Yet she did it with love. I have always been assured of her love. And even as I responded to her shouted Ben, snapping me back from the drifting, I still said to myself: But he is a goddam general, whether he likes it or not, and that's why I'm here.

So we carried on a fairly normal conversation. About my classes, the guys: Yes, Mother, they're a good bunch. They leave me alone, mostly because I've come on the scene too late and it's hard to absorb me (they are not blotters, after all), but they are tactful, which surprised me really. I mean, Elliot Martingale is such a character with his clowning and all, and yet he came up to me the other day and said: "Marchand, old bastard, I looked up the back issues of the papers the other day and you're all right, know that?"

I felt either like bawling like a baby or laughing madly; either way, he'd think I was a complete nut. I felt like bawling because those were the first words anyone at Castle had said directly to me and they confirmed my existence here, something I was beginning to doubt. Until that moment, I might have been invisible or not there at all. And I felt like laughing madly because what Martingale said was so very wrong. What Elliot Martingale read about in the papers, my part in the Bus and the incident at the Bridge, was a million miles from the truth. Not lies exactly, of course. But information that was misleading, vague where it should be specific, specific where it should be vague. Inner Delta is very good at that sort of thing, of course.

There, I've said it: Inner Delta

Like pulling a bandage off a festering sore.

Or a disease...

Most helpful customer reviews

2 of 2 people found the following review helpful.
What is evil really?
By Nicole Rega
What is evil really? Who are the good guys and who are the bad? That's what this book makes you thinks. It shows you that sometimes life doesn't go the way you want it.
I also liked how Miro was shown. Was he really a monster or just thinking the way he'd been taught all he life? Letting you get to know Miro,Ben,Raymond,and Kate also shows how unfair life is and sometimes the bad guys do win.Also the part with Ben and his dad,and what he made him do,though a bit confusing,was a great counter plot. This book was wonderful and I would recommend it to anyone.

0 of 0 people found the following review helpful.
Four Stars
By Nelda Paden
This is a disturbing book, but it makes you think.

0 of 0 people found the following review helpful.
Five Stars
By Tamigrace
Good book.

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[S844.Ebook] Get Free Ebook The MXF Book: An Introduction to the Material eXchange Format, by Nick Wells, Oliver Morgan, Jim Wilkinson, Bruce Devlin

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The MXF Book: An Introduction to the Material eXchange Format, by Nick Wells, Oliver Morgan, Jim Wilkinson, Bruce Devlin

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The MXF Book: An Introduction to the Material eXchange Format, by Nick Wells, Oliver Morgan, Jim Wilkinson, Bruce Devlin

Written by a top team of industry professionals, this must-have guide will introduce you to everything you'll need to know about MXF. The MXF Book introduces and explains the MXF standard and helps engineers write MXF applications. The book also explains the reasons behind many details of the specification documents.

  • Sales Rank: #1846490 in eBooks
  • Published on: 2013-06-26
  • Released on: 2013-06-26
  • Format: Kindle eBook

Review
"The MXF Book introduces and explains the MXF standard and helps engineers write MXF applications. The book also explains the reasons behind many details of the specification documents." - SMPTE Motion Imaging Journal, Aug. 2006

"Written by a team of industry professionals, it introduces and explains the MXF standard and helps engineers write MXF applications. The book also explains the reasons behind many details of the specification documents." - Government Video, Aug. 2006

Most helpful customer reviews

0 of 0 people found the following review helpful.
Best Description of MXF Technology and Metadata Structures
By Althos
This book explains how MXF files standards the interchange of media files and streams between different systems. It includes a lot of good diagrams that identify and summarize complex metadata structures used in MXF files. Includes lots of details on the history of why and how MXF was developed. It covers the relationship between MXF and MPEG, AAF, EBU and SMPTE standards. If you are looking for a good understanding of MXF, this is a great book to have.

3 of 5 people found the following review helpful.
bad printing
By mulder
I was looking for a book on MXF and so i've bought this book.

Unfortunately most of the the images in the book are dithered and so the text in these images is difficult to read, sometimes impossible to read.

Also, the table of contents only sums the main chapters but not the paragraphs inside the chapters. So you have 30 or so pages which you have to scan through page by page to find a particular subject. The paragraphs on the pages are not numbered which makes it difficult to get an overview where you are and how the paragraphs are related.

0 of 0 people found the following review helpful.
Blury figures are not easy to read
By Mark D. Conover
Many of the figures/illustrations are blurry and somewhat of a challenge to read.

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Kamis, 16 Juni 2011

[V742.Ebook] Free Ebook Dirección de Proyectos: Una Introducción con base en el marco del PMI (Spanish Edition), by Hurtado PMP

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Este libro resume algunas de mis experiencias, estudios y reflexiones respecto al espinoso tema de la direcci�n de proyectos y las integra con la concepci�n de proyectos que el PMI� ha descrito en la Gu�a De Los Fundamentos Para La Direcci�n De Proyectos (GU�A DEL PMBOK�) Cuarta edici�n, mejor conocida como el PMBOK a secas. Creo que el tema de direcci�n de proyectos es fundamental, pues lo veo como una herramienta cr�tica para que cada empresa mejores sus probabilidades de materializar exitosamente su planeaci�n estrat�gica. No obstante he observado que las personas que trabajan en esta disciplina, que han estudiado el PMBOK con alg�n detenimiento, no han logrado hacer la asimilaci�n apropiada de estos conceptos y, peor a�n, no logran diferenciar entre las necesidades de su realidad y el enorme bagaje de conceptos que el PMBOK les ofrece. En resumen, no logran adecuar lo que han estudiado a su realidad. Como una contribuci�n para corregir la situaci�n anterior he escrito este libro. Me he enfocado deliberadamente en los proyectos chicos y medianos, pues son la mayor�a en nuestra realidad. Para el aprendizaje he incluido algunos casos que permiten presentar la tem�tica de los proyectos con profundidad. He usado versiones de estos casos en incontables cursos sobre direcci�n de proyectos. Adem�s la narraci�n la he acoplado a una sencilla metodolog�a de proyectos, denominada GSP, para que el lector vea (parcialmente) como acoplar toda esta gran teor�a en un enfoque espec�fico para realizar la direcci�n de proyectos.

  • Sales Rank: #4437312 in Books
  • Published on: 2011-10-10
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.00" h x .72" w x 6.00" l, .93 pounds
  • Binding: Paperback
  • 286 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
Mala calidad de los gr�ficos
By Calidad imagenes
El libro es muy bueno, lastimosamente la calidad de los gr�ficos es mala. En tama�o normal los gr�ifcos son tan peque�os que no se entiende nada y al ampliarla tampoco se entiende nada pues se pixela.
Debo indicar que muchos de los gr�ficos contienen matrices importantes que al no poder leerlas hace que el lector se pierda la continuidad de la lectura.
Ojal� pudieran mejorar la calidad de todos los gr�ficos y volver a enviarme la nueva versi�n.

Gracias

0 of 0 people found the following review helpful.
buen contenido, malas im�genes
By Amazon Customer
Las tablas y diagramas son de muy baja calidad por lo que no se alcanzan a leer los datos que contienen.

Espero puedan solucionarlo y enviarnos una actualizaci�n.

El contenido del libro es bueno.

0 of 0 people found the following review helpful.
Great project management examples
By Andres F. Alfon Gomez
It is a great and easy to read book. Author explains in an easy way what are the PMI process groups and knowledge areas with plenty of examples.

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Selasa, 14 Juni 2011

[W154.Ebook] Ebook Free Modern Art: Impressionism to Post-ModernismFrom Thames & Hudson

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Modern Art: Impressionism to Post-ModernismFrom Thames & Hudson

A superbly illustrated overview of the major movements in the visual arts from Impressionism to Post-Modernism.

Modern Art is an authoritative introduction to every important development in the visual arts from the late nineteenth century to the 1980s. Eight critical essays by noted art historians shed light on topics from Impressionism to Dada, Art Nouveau to Pop Art. The essays are ordered chronologically, and each thoroughly examines the historical context—political, social, and technological—that shaped the movement under discussion.

The text is accompanied by more than 400 color illustrations of the work of some of the most celebrated figures in art history, comprising an invigorating multiplicity of visual styles. Anyone seeking a gallery of the masterpieces of twentieth-century art, together with an informed survey of the period, will find no better single volume. 400+ color illustrations

  • Sales Rank: #113598 in Books
  • Published on: 2008-01-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.03" h x .12" w x .90" l, 3.67 pounds
  • Binding: Hardcover
  • 416 pages

Review
A triumph. -- Art Review

About the Author
was a distinguished writer on art.

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17 of 18 people found the following review helpful.
A bit talkative, but well illustated introduction
By Eugene Tenenbaum Reluctant Reader
This is a solid introduction to the modern painting that tells a little bit about everything and is well illustrated by very good photos 50/50 in proportion to the text. The amount of text is greater than in popular histories of painting making it a bit talkative or - in other words - analytic. The analysis and publishing are good and may satisfy someone willing to explore, but maybe a bit too much for a casual reader. It does not seem to have much of competition in its class of references a notch above popular.

6 of 7 people found the following review helpful.
Only for Serious Modern Art Enthusiasts
By Jess
The information in this book and the way it is presented is definitely not lightweight. I am studying interior design, and bought this book for my Modern Art class. The chapters are divided by eras, such as Impressionism, Art Nouveau, and Expressionism.The book covers only the main influential artists of each era, and describes each of them with ample college-level discourse and one or two pictures of their paintings. Think more essay than bulleted notes.

While this book is well-written and seemingly accurate, I would not recommend it if you are looking for an entertaining, leisurely addition to your hobby. If you're a student and looking to buy this book for a class, get ready to leaf through a lot of reading.

25 of 27 people found the following review helpful.
Modern Art!
By A Customer
I just purchased this book, it looks wonderful. It has the quality of a textbook, but it does not read like a textbook. that is to say it does not drone on and on, it reads well for those who have an interest in modern art. I cover all the periods of modern art and gives concise background to the artists and events of the perod in which the mode of art occurred.
I highly reccomend this book.

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Senin, 06 Juni 2011

[K503.Ebook] PDF Ebook From Rationalism to Existentialism: The Existentialists and Their Nineteenth-century Backgrounds

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  • Published on: 1656
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This text brings together key writings on moral panics and contextualises these in the light of moral panic scholarship. It includes writings on the intellectual background of the subject as well as the differences in thinking between British and American moral panic scholarship.

  • Sales Rank: #2816197 in Books
  • Published on: 2006-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.06" w x 6.40" l, 1.23 pounds
  • Binding: Hardcover
  • 400 pages

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Kamis, 02 Juni 2011

[U729.Ebook] Ebook Tadeusz Kantor (Routledge Performance Practitioners), by Noel Witts

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Routledge Performance Practitioners is a series of introductory guides to the key theatre-makers of the last century. Each volume explains the background to and the work of one of the major influences on twentieth- and twenty-first-century performance.

Tadeusz Kantor was a key figure in European avant-garde theatre. He was a theoretician, director, innovator and painter famed for his very visual theatre style. Kantor was also known for his challenging theatrical innovations, such as extending stages and the combination of mannequins with living actors. The book combines:

    • a detailed study of the historical context of Kantor’s work
    • a exploration of Kantor’s own writings on his theatrical craft
    • a stylistic analysis of the key works, including The Dead Class and Let the Artists Die, and their critical reception
    • a examination of the practical exercises devised by Kantor

As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners are unbeatable value for today’s student.

Noel Witts is Visiting Professor of Performing Arts at Leeds Metropolitan University and Senior Research Fellow at the University of the Arts, London. He is co-author (with Mike Huxley) of The Twentieth Century Performance Reader, published by Routledge.

  • Sales Rank: #1573717 in Books
  • Published on: 2010-01-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.70" h x .50" w x 5.00" l, .40 pounds
  • Binding: Paperback
  • 144 pages

About the Author
University of the Arts, London, UK

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Rabu, 01 Juni 2011

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A Guide to Writing Successful Engineering Specifications, by David C. Purdy

The focus of this practical, "hands-on" book is on the preparation of the specification in the engineering industry - representing, along with the drawings, the final product of any engineering organization, and crucial to its success. Each chapter is supplemented by a checklist which can be used first to plan an effort, and later used to ensure that the effort is truly complete. Each chapter also contains practical guidance on all aspects of writing the engineering specification, and specification techniques common to all industries are presented.

  • Sales Rank: #1677026 in Books
  • Published on: 1990-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.45" h x .71" w x 6.18" l,
  • Binding: Hardcover
  • 168 pages

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